These images continue the traditional trope of the nude as subject of the male gaze. It is the projection of desire and examination of male sexuality in collaboration with erotic actor and model Mannie Coco. This examines the appropriation of black beauty through a collaboration recognising the vital importance of both parties to the final creation of the work.
Inspired by Robert Mapplethorpe’s relationship to his muse Bob Love and the surrealist studies of Bill Brandt, the of presence of artist and model within the images celebrate the unique relationship with the subject as figure of desire consummated in the creation of the work.
These images continue the traditional trope of the nude as subject of the male gaze. It is the projection of desire and examination of male sexuality in collaboration with erotic actor and model Mannie Coco. This examines the appropriation of black beauty through a collaboration recognising the vital importance of both parties to the final creation of the work.
Inspired by Robert Mapplethorpe’s relationship to his muse Bob Love and the surrealist studies of Bill Brandt, the of presence of artist and model within the images celebrate the unique relationship with the subject as figure of desire consummated in the creation of the work.
These images continue the traditional trope of the nude as subject of the male gaze. It is the projection of desire and examination of male sexuality in collaboration with erotic actor and model Mannie Coco. This examines the appropriation of black beauty through a collaboration recognising the vital importance of both parties to the final creation of the work.
Inspired by Robert Mapplethorpe’s relationship to his muse Bob Love and the surrealist studies of Bill Brandt, the of presence of artist and model within the images celebrate the unique relationship with the subject as figure of desire consummated in the creation of the work.
These images continue the traditional trope of the nude as subject of the male gaze. It is the projection of desire and examination of male sexuality in collaboration with erotic actor and model Mannie Coco. This examines the appropriation of black beauty through a collaboration recognising the vital importance of both parties to the final creation of the work.
Inspired by Robert Mapplethorpe’s relationship to his muse Bob Love and the surrealist studies of Bill Brandt, the of presence of artist and model within the images celebrate the unique relationship with the subject as figure of desire consummated in the creation of the work.
These images continue the traditional trope of the nude as subject of the male gaze. It is the projection of desire and examination of male sexuality in collaboration with erotic actor and model Mannie Coco. This examines the appropriation of black beauty through a collaboration recognising the vital importance of both parties to the final creation of the work.
Inspired by Robert Mapplethorpe’s relationship to his muse Bob Love and the surrealist studies of Bill Brandt, the of presence of artist and model within the images celebrate the unique relationship with the subject as figure of desire consummated in the creation of the work.
These images continue the traditional trope of the nude as subject of the male gaze. It is the projection of desire and examination of male sexuality in collaboration with erotic actor and model Mannie Coco. This examines the appropriation of black beauty through a collaboration recognising the vital importance of both parties to the final creation of the work.
Inspired by Robert Mapplethorpe’s relationship to his muse Bob Love and the surrealist studies of Bill Brandt, the of presence of artist and model within the images celebrate the unique relationship with the subject as figure of desire consummated in the creation of the work.
These images continue the traditional trope of the nude as subject of the male gaze. It is the projection of desire and examination of male sexuality in collaboration with erotic actor and model Mannie Coco. This examines the appropriation of black beauty through a collaboration recognising the vital importance of both parties to the final creation of the work.
Inspired by Robert Mapplethorpe’s relationship to his muse Bob Love and the surrealist studies of Bill Brandt, the of presence of artist and model within the images celebrate the unique relationship with the subject as figure of desire consummated in the creation of the work.
