Richard Ansett

Red Sledge

Dims — Sun, 05 Feb 2012 13:26:49 +0000

Red Sledge, Coldfall Woods, London © Richard Ansett 2012

VICE magazine

Dims — Sat, 17 Dec 2011 08:39:02 +0000

Dixie with pistol, Donetsk, Ukraine © Richard Ansett 2011

Towels by roadside, Transylvania, Romania 2011© Richard Ansett

Fotofest Paris

Dims — Sat, 12 Nov 2011 15:45:42 +0000

In my hotel room 1

My hotel room 1

Notre Dame Sunday Service 1

Notre Dame Sunday Service 2

Notre Dame Sunday Service 3

CHRISTMAS LUNCH at The Grosvenor, Torquay

Dims — Fri, 14 Oct 2011 12:48:17 +0000

An early Christmas lunch and first of 2011 at The Grosvenor, Torquay ***. An English cheese selection or chocolate pudding and creme angalise replaced the Christmas pudding.

I found a grasshopper whilst retouching an image from Ukraine…

Dims — Fri, 02 Sep 2011 14:50:01 +0000

WORLD PHOTOGRAPHY ORGANISATION reveiw of ‘The Big Society’

Dims — Sat, 27 Aug 2011 10:43:45 +0000

Richard Ansett, the London-based photographer, won this year’s prestigious Prix de la Photographie with a remarkable series of photos that capture the lives of obese subjects in startling, tender fashion. Or is it grotesque? Tragic? Exploitative?

What begins as initially ‘ugly’ subject matter, Richard draws out something undeniably intimate and revealing.

Its title, ‘Big Society’ perhaps also holds a mirror up to the current English Prime Minister, David Cameron’s vision of an inclusive, progressive and above all ‘responsible’ society – also dubbed ‘The Big Society’. This political context also throws up the question of whether Richard’s subjects, with their extreme body size and alternative/ fringe lifestyle, can ever correspond to our idea of ‘responsible’?

Richard, in his own words, considers “the images to be emotional explorations rather than cruel, unkind or judgemental portrayals; there is beauty in the complexity of the human condition.”

http://worldphoto.org/community/blogs/richard-ansett-the-big-society

Dixie with Kalashnikov, IZOLYATSIA residency, Donetsk, Ukraine

Dims — Tue, 16 Aug 2011 13:54:06 +0000

Portfolio review and project presentation to Boris Mikhailov, IZOLYATSIA residency, Donetsk, UKRAINE. Images copyright Дмитрий Сергеев.

Dims — Wed, 10 Aug 2011 16:13:15 +0000

Me , Nuno Barroso and Boris Mikhailov, Donetsk, Ukraine

In the Shadow of Lenin, Donetsk, Ukraine

Dims — Tue, 02 Aug 2011 05:47:46 +0000

Waiting for my volunteer assistant Ulya

Lenin

Me and Lenin

Images showing at Foley Gallery NY 23.06 – 15.07

Dims — Tue, 21 Jun 2011 12:27:56 +0000

Laura (trichotillomania), 2010 © Richard Ansett

Juliana, 2010 © Richard Ansett

Dims — Tue, 14 Jun 2011 12:53:33 +0000

Dims — Wed, 01 Jun 2011 16:23:13 +0000

Dims — Mon, 23 May 2011 11:33:03 +0000

Set for Catherine © Richard Ansett 2011

Catherine © Richard Ansett 2011

Dims — Wed, 18 May 2011 16:14:59 +0000

Self portrait © Richard Ansett 2011

Dims — Fri, 13 May 2011 16:39:26 +0000

Dental Practice, London

Dims — Tue, 10 May 2011 08:52:11 +0000

Letter of Intent for Mikhailov residency (Ukraine)

Dims — Tue, 26 Apr 2011 08:39:48 +0000

“As an individual with no historic cultural identity, I am less considerate of nationalistic boundaries and I focus on shared emotional experience, without borders.”

LINK TO FULL ARTICLE

Jesse (15)

Dims — Mon, 25 Apr 2011 19:37:04 +0000

Jesse, Maida Vale, London UK 2011 © Richard Ansett

Jesse is 15 and recently excluded from school, his mum Prue (my make up artist) is worried he’s smoking too much weed. I photographed him when he was 9 and it was the last time i saw him until this shoot. His dad has some kidney failure and needs dialysis and is staying on their couch. Jesse is sleeping in with his mum for the time being. He has some freckles around his nose and is wearing braces on his teeth which I photographed but I’m not Bruce Webber so i am not showing those.

Transylvania

Dims — Fri, 08 Apr 2011 17:01:49 +0000

Transylvania layby #1 2011 © Richard Ansett

Transylvania layby #2 2011 © Richard Ansett

Transylvania dispells the Victorian Gothic myths.

an magazine review

Dims — Thu, 03 Mar 2011 11:03:23 +0000

Richard Ansett’s large Lambda print is an ambiguous document. Image_06_083 2010 is a portrait that is insolently provocative yet darkly reserved. A middle-aged man in a grey suit yawns as his half-shut eyes carelessly engage the camera/viewer. There is a tension between the staged and the accidental, the momentary and perpetual. Is the subject of the portrait (whose attire references the aesthetic of bureaucracy) telling us he’s bored? And if so, with what: His life, art, us? As an image Ansett’s work is disarmingly simple and eloquently realised.

Fay Nicolson for an magazine

‘Beyond Likeness’ at the Beaverbrook Art Gallery

Dims — Tue, 01 Mar 2011 14:41:42 +0000

David Cronenberg, 1999 © Richard Ansett

Beyond Likeness: Contemporary Works from the Portrait Gallery of Canada touring exhibition showing at Beaverbrook Art Gallery, Fredericton, NB. Canada.

“It’s really pushing the boundaries of what a portrait can be, and artists are using contemporary media. They’re thinking in new ways about how a person can be represented,” Terry Graff, cheif curator

24th February to 6th June 2011

Sandhurst

Dims — Thu, 24 Feb 2011 09:54:48 +0000

Sandhurst rec room 2010 © Richard Ansett

I stumbled across this great room at Sandhurst, its a little ‘Stanley Kubrick’; the chairs are on small wheels and we were able to whiz around on the carpet and play bumper cars. Very professional.

You get dwarfs.

Dims — Sat, 19 Feb 2011 17:59:52 +0000

2011 © Richard Ansett

“In photographing dwarfs, you don’t get majesty & beauty. You get dwarfs.” – Susan Sontag

Found Polaroid

Dims — Fri, 18 Feb 2011 15:09:53 +0000

I found this old polaroid on a hard drive whilst researching the Ron and Roger project to send to The Museum of London for consideration.

This is the set for the portrait of Kieran and Patrick.

The recent homomphobic attack in Camden London has upset me and reminded me that we must be vigilant in the education against hateful and de-humanising stereotypes.

Luke

Dims — Mon, 14 Feb 2011 16:24:57 +0000

Child in doorway, 2010 © Richard Ansett

Thanks to Rebecca and Matt for allowing me to photograph their beautiful children.

ONWARD’11 at Project Basho

Dims — Sun, 13 Feb 2011 17:48:06 +0000

NoCoatOn Fatal Attraction 9 showing at ONWARD ’11, Philadelphia, USA and features in Fraction Magazine article 25/25 http://fractionmagazine.com/collaboration/project-basho/

Statement for Open West’11

Dims — Mon, 31 Jan 2011 10:05:32 +0000

© Richard Ansett

Although this seems like a discussion about dysmorphia, Connie is genuinely as happy as she has ever been in this state. The ‘old’ Connie struggled with morbid obesity. Even with the pain, bruises, bandages and swelling she poses like a beauty queen. She needed to feel feminine and desired. This photo session allowed her to feel that. The result is a dichotomy; the brutal, aftermath of surgery and the joyful exploration of the stereotype of beauty and happiness from the sitter that has always evaded her. I allow the sitters to explore their relationship to the camera and follow their lead; this is the only way I know to expose an essence of character in an immediate, two dimensional medium; it is not the whole story but the relationship to society can be honestly examined and trusted.

Both women want to be desired and attempt to show this to the camera in the way they understand. They are dealing with the same issues but emotionally we are often confronted with the same problems but it is how we deal with them that defines us as individuals and this can be read visually. Naked Woman with Dogs explores some of the same themes as Connie. Here she is not unattractive. What is it then that feels extreme? I have removed the narrative from this image so there is no easy explanation for what is going on or why we are confronted by this woman naked. I have photographed her without any established aesthetic photographic tricks, she is exposed. As an audience, we are programmed to have things explained to us, we no longer feel the need to think for ourselves. Photography as a realist medium has a great opportunity to challenge perceptions of the status quo; it can make us question the world we have constructed around ourselves.

theopenwest.org.uk

The ‘Den of Death’, Oklahoma, USA

Dims — Thu, 27 Jan 2011 14:47:30 +0000

Washing Rituals, Varanasi, India

Dims — Thu, 20 Jan 2011 11:56:42 +0000

I came across this image whilst preparing a travel portfolio. It is part of a series of images I shot at dawn with a MetzCT60 on 1600 iso 35mm transparency as part of a story on the rituals surrounding the funeral pyres. The water of the Ganges has a deep spiritual significance to Hindus.

Washington Post Review

Dims — Tue, 30 Nov 2010 16:19:21 +0000

SPARK OF HUMANITY IN FOTOWEEK FIZZLE

“…For all its art-world froideur and its antiseptic, scientific gleam, Ansett’s photo has that kind of sympathy, that kind of humanity…”

READ FULL ARTICLE BY BLAKE GOPNIK

http://wapo.st/aOtPQQ

2010 FotoWeek DC International Awards Competition

Dims — Thu, 07 Oct 2010 11:28:43 +0000

Richard Ansett – WINNER of the 2010 FotoWeek DC International Awards Competition! Fine Art Singles catagory 2nd Prize for ‘Woman with Wire Cap #1′

http://www.fotoweekdcawards.org/about.shtml

The competition was the tough this year with more than 6,500 entries received from 35 countries. The work was reviewed by judges who represent the very best in photography and multimedia worldwide:

The 2010 competition honors exceptional work by photographers from all over the world. A 501 c-3 non-profit organization, FotoWeek DC is committed to celebrating the transformative power of photography in all its forms.

The third annual International Awards Competition is more expansive – and inclusive – than ever.

Work will be exhibited throughout the week–in print form for photos and on monitors for the multimedia winners–and will be projected on buildings as well as part of the spectacular Night Gallery outdoor displays.

The Art of Photography Show 2010

Dims — Fri, 03 Sep 2010 14:00:53 +0000

Michael & Juegen © Richard Ansett

From 13,692 entries in The Art of Photography Show 2010, judge Natasha Egan, Associate Director and Curator at the Museum of Contemporary Photography selected Richard Ansett’s image of Michael & Juegen (from the series Ron & Roger 2002) awarding an Honorable mention.
Michael & Jeugen were one of the first couples to stand up for their right to a partnership recognised by UK law. 2011 will be the 10th anniversary of the London Partnership Register which indisputably led to the Civil Partnership Act giving loving couples regardless of sexual orientation equal rights . Sadly, many states in the US have yet to even consider lifting their ban on same sex unions. California only recently turning over proposition 8

Way of the Morris

Dims — Fri, 03 Sep 2010 10:54:00 +0000

Adderbury Morris Men #4, 2010 © Richard Ansett

Richard Ansett’s images of the the Adderbury Morris Dancers featured in the film ‘Way of The Morris’ by Tim Plester at the 5000 Morris Dancers weekend by Pop artist David Owen at the SouthBank Centre, London.

Musee de la Photographie, Belgium

Dims — Mon, 23 Aug 2010 14:36:31 +0000

Mirriam & Alf, 2009 consigned to the permanent collection of Musee de le Photographie, Charleroi. Inventory no. MPC 2010/290.
Musee de la Photographie

Sarah, UK 2010 © Richard Ansett

Dims — Fri, 30 Jul 2010 13:21:02 +0000

sarah355Z0111, 2010 © Richard Ansett

Lucy Bell : Fine Art Photography Gallery

Dims — Tue, 27 Jul 2010 08:21:19 +0000

SUMMER EXHIBITION

4 – 31 AUG / WED – SAT / 10 – 4pm

Camilla Broadbent, Richard Ansett, Peter Johns, Terry O’Neil, Ken Russell, Nigel Green, Malcolm Glover, Vicky Wetherill, Lydia Goldblatt, Bill Brandt, Lolly Orbell, Adrian Turner

(With influences from the Dutch Masters)

Looking for emerging trends in photographic fine art practice, the influence of the Dutch Masters on contemporary fine art practice became the overriding link

Award winning photographer Richard Ansett’s “Woman in Wire Cap” is also directly linked to the portraiture of the Dutch Masters.

“It is not just the camera obscura compositions or the quest for reality in lighting that is so appealing but also the use of objects as metaphor and allegory, giving clues to the lives of the subjects. As with the paintings from this era, we are left to study and comprehend the information left to us. There is often no clear narrative and I bring this element to my images of the modern world; they are an archive of contemporary society but, leaving the viewer to consider the narrative, challenges the pre-conceptions we have of our world view.
This applies specifically to ‘Woman with Wire Cap’ . It explores our relationship to contemporary technology that we can feel is beyond our understanding. The cap is an aesthetic and metaphoric object but equally it is a clue to how we live in this era to a future audience. . By acknowledging the Dutch masters we are celebrating the influence on contemporary artists and audience. As artists we must explore where our ideas come from, they are never developed in isolation and it is niave to consider ourselves completely without influence. Interestingly, if we accept that there are no natural rules we can introduce new ways of seeing whilst acknowledging the importance of the past.”

While Bruce Raes, darkly light flowers and Lydia Goldblatts sensitive light of her subjects point to the influences of Rembrandt

Hope you will find time to come along in the summer.
Seaside is 2 minutes walk from the gallery…

http://www.lucy-bell.com/

Taurean, London 2010

Dims — Mon, 26 Jul 2010 16:25:45 +0000

Taurean recently recovered from being stabbed (the scar from the knife wound that punctured his liver is visable above his hip).

Leslie Crowther

Dims — Mon, 26 Jul 2010 16:09:57 +0000

Leslie Crowther is both the host and catalyst for this experiemental site of images from Richard Ansett’s archive plus new ideas and work in development.

Crowther’s persona supports rather than challenges pre-conceptions. For the purposes of this collection, he is the ‘foil’ to the images which take the protagonist role focusing on the extreme difference in personality, each throwing the others character into sharper focus. The images must also have a relationship to each other and not just with the host.

This project is an extension of an exhibition and website project originally developed in 2000. Leslie Crowther: An Iconoclast Pantomime

http://www.artslant.com/la/artists/show/165339-leslie-crowther

Royal Academy Summer Exhibition 2010

Dims — Fri, 11 Jun 2010 11:36:21 +0000

Richard Ansett’s ‘No CoatOn Fatal Attraction #9 selected for exhibition, curated for Gallery VIII by David Remfry RA.

The Royal Academy’s annual Summer Exhibition is the world’s largest open submission contemporary art exhibition. Now in its 242nd year, the exhibition continues the tradition of showcasing work by both emerging and established artists in all media including painting, sculpture, photography, printmaking, architecture and film. This year’s co-ordinators, Royal Academicians Stephen Chambers and David Chipperfield, will select works for the exhibition around the theme of ‘Raw’.
The Summer Exhibition attracts a high volume of entrants each year with over 11,000 entries this year. The majority of selected works will be on sale, offering visitors an unrivalled opportunity to purchase original artwork by high profile and up-and-coming artists.

http://www.royalacademy.org.uk/exhibitions/summer-exhibition/

British Journal of Photography – Different Strokes

Dims — Thu, 13 May 2010 11:54:42 +0000

Julian Lass speaks to 4 innovative photographers about their distinctive styles.
Whether you work in fashion, advertising or editorial, flash is often the only way to achieve a certain look feel or level of control.but that doesn’t mean the results have to look uniform. Richard Ansett says his flash technique is what separates his work from documentary…These four photographers use flash in highly idiosyncratic ways, defining their styles and achieving their distinctive looks.

http://www.bjp-online.com/public/showPage.html?page=872565

Camera Lucida – The World is a Camera

Dims — Wed, 12 May 2010 13:13:58 +0000

Richard Ansett ha da poco inaugurato il nuovo sito web dove è ora possibile vedere i suoi lavori e leggere le riflessioni del fotografo sulla sua ricerca personale che ruota intorno al tema del ritratto, spunto per uno studio e un’esplorazione dei nostri paesaggi interiori e sociali.
In una delle serie prende ispirazione da un famoso dipinto fiammingo, “Il ritratto dei coniugi Arnolfini”, uno dei più antichi esempi di pittura che ha per soggetto un ritratto privato di personaggi viventi.
La struttura compositiva di questo quadro e il suo simbolismo legato alla vita coniugale ispirano così un’interessante serie di ritratti ambientati di coppie nei loro scenari domestici… ovvero, dimmi dove vivi, come costruisci il tuo spazio e come ti mostri e non solo ti dirò chi sei ma mi sforzerò anche di capire chi sono io: Personal Statement

http://www.cameralucida.it/post-maggio2010/120-richard-ansett.html

Renaissance Photography Prize

Dims — Tue, 20 Apr 2010 08:30:18 +0000

80 photographs selected by judges Michael Hoppen, Eamonn McCabe, Charlie Waite and Brigitte Lardinois will be exhibited in the Gallery of The Hospital Private Members’ Club, 24 Endell Street, London.
Over 3,700 entries and have already raised £22,000 for the Lavender Trust at Breast Cancer Care.
The exhibition will be open to the public from 4pm – 10pm on Tuesday 20 April and from10am – 4pm on Wednesday 21 April.
The celebrity gala night will take place from 6.30pm – 9.30pm on Wednesday 21 April at the Hospital Private Members Club.

THIRTEEN STAR PHOTOGRAPHERS AND THEIR CONCEPTS – (ZWÖLF PORTRAIT-STARS UND IHRE KONZEPTE)

Dims — Mon, 19 Apr 2010 17:40:40 +0000

‘THE ART OF PORTRAITS’ – ‘Die Kunst des Portraits’ – FotoMAGAZIN

They photograph presidents and superstars and find something special in the face of the common. Their images are displayed in museums and the best international magazines. But what exactly makes a good portrait? fotoMAGAZIN has questioned thirteen of today´s most influential portrait photographers about their portrait philosophy.

(Sie fotografieren Präsidenten und Superstars, finden auch das Besondere im Antlitz des Alltäglichen. Ihre Bilder finden sich in bedeutenden Museen und den besten Zeitschriften der Welt. Doch was zeichnet eigentlich ein richtig gutes Portrait aus? FotoMAGAZIN befragte dreizehn der stilprägenden zeitgenössischen Portraitfotografen nach der Bildphilosophie hinter ihren Werken).

RICHARD ANSETT
“Meine Arbeit setzt sich mit dem Leben der Menschen auseinander, ist jeddoch keine ganz wahrheitsgemabe Wiedergabe ihres wirlichen Lebens. Nachdem ich akzeptiert habe, dass es unmoglich ist, komplett objektiv zu bleiben, merkte ich, wie wichtig es ist, meine Interessen offen zu zeigen.
In den konstruierten Kompositionen, die ich von Orten und Objekten schaffe, ist der Portraitierte die nicht greifbare menschliche Variable. In jenem Augenblick, in dem Menschen zum ersten Mal der Kamera ausgesetzt sind, ist es moglich einen Teil ihrer Personlichkeit bei der Reaktion auf die Welt festzuhalten. Es ist mir nicht wichtig, eine genaue Beschreibung der jeweiligen Leben aufzuzeichnen. Ich mochte eine spurbare emotionale Tiefe ruberbringen, die zwar hervorgehoben warden, jedoch nicht unbedingt komplett verstanden warden kann.
Dabei versuche ich, vielschichtige Antworten zu geben, damit das Bild jenseits aller Zweidimensionalitat von bleibenem Interesse ist.”

FOTOmagazin

Gay Couples Series ‘Ron & Roger’ publishes in China

Dims — Tue, 30 Mar 2010 14:42:26 +0000

CHINA: The youth fashion magazine VISION publishes series ‘Ron & Roger’, exploring the lives of the first same sex couples that participated in the London Partnership Register, that led directly to the Civil Partnerships Act in the UK.

New consignment to the National Portrait Gallery Permanent Collection

ben — Wed, 17 Mar 2010 21:47:06 +0000

Spider Black & White Awards

ben — Wed, 17 Mar 2010 21:46:02 +0000

PRESS RELEASE: LONDON – photographer Richard Ansett was presented with the 5th Annual Black and White Spider Awards Nominee title in the category of PORTRAITURE at a prestigious Nomination & Winners Photo Show attended by 35,000 online viewers who logged on live from 154 countries to see the climax of the industry’s most important event for black and white photography.

Thousands of images were received from 68 countries worldwide. The awards international Jury included captains of the industry from Magnum Photos, The Armory Show, Fratelli Alinari, Contrasto to Tate and Hamiltons in London who honored Spider Fellows with 84 coveted title awards in 28 categories.Voting Richard Ansett’s “DAVID LYNCH, DORCHESTER HOTEL, LONDON” an exceptional image entered in the Portraiture category, received a high percentage of votes overall.

The Spider Awards celebrates photographers who operate at the highest levels of their craft,” said Basil O’Brien, the awards Creative Director. “Richard Ansett’s work represents black and white photography at its finest, and we’re pleased to present him with the title of Nominee.”